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Melvin Clive Bird (Behnke)'s avatar

I think that this is a compelling and richly layered exposition from Alexander Dugin, reflecting not only his engagement with Heidegger but also his philosophical dramaturgy in the way he stages the great metaphysical narrative of the West. Reading through it, one immediately notices how Dugin appropriates Heidegger’s epochal framework to dramatize the unfolding of Western philosophy as a decline, a twilight march away from Being. I find this narrative both profoundly provocative and, at times, strategically mythic in tone. It’s a history less concerned with empirical details or academic nuance and more with establishing a metaphysical topology East and West, Beginning and End, Being and its Oblivion.

So, Dugin begins by situating Heidegger’s neglect of medieval philosophy as a deliberate philosophical gesture. Heidegger’s early engagements notwithstanding, the Middle Ages for him amount to little more than an amplification of Platonism under the guise of Christian scholasticism. Nietzsche’s phrase, “Christianity is Platonism for the masses,” becomes an axiom that justifies a sweeping dismissal. This point is made with admirable clarity by Dugin: scholastic theology, for Heidegger, merely continues Plato’s foundational move of placing the Idea (the Good) above Being, thereby displacing Being itself from thought. This removal of Being from the philosophical core is not, in this account, a flaw unique to Christianity, but a systemic element of Western metaphysics from the start. I agree with Dugin’s reading that for Heidegger, this Platonic shift marks the original distortion, a turning away from the pre-Socratics, who still had some sense of Being’s primordiality.

It’s in Heidegger’s treatment of modernity, however, that Dugin finds real philosophical tension. Descartes emerges not as a reformer but as a catalyst for the “Beginning of the End.” This phrase a counterpoint to the original “Beginning” in pre-Socratic thought captures the dual role Descartes plays: on one hand, he strips metaphysics of its theological garments, and on the other, he intensifies the ontological crisis. Dugin is right to underscore how, for Heidegger, Cartesian dualism turns Being into a function of epistemology. The subject-object split becomes the birthplace of technical rationality, of logos wielded like an instrument. There’s something chilling in this transformation. The world is no longer revealed, it is calculated. The thinker no longer dwells in Being, he masters it or tries to in my opinion.

I think that this is the moment when Gestell begins to assert itself historically. Gestell, that peculiar Heideggerian term for the technological enframing of reality, is no longer latent; it starts to structure the entire human relation to Being. Dugin’s reading emphasizes how Heidegger sees modern philosophy whether Cartesian rationalism, British empiricism, or Kantian critique as variously deepening the forgetfulness of Being while simultaneously clarifying the metaphysical structure of that forgetting. The irony, as Dugin makes plain, is that modernity renders nihilism more transparent. It says what metaphysics always did, but more bluntly.

The discussion then pivots to Hegel and Nietzsche. Here Dugin is especially insightful. Hegel is framed as the last great systematizer of Western metaphysics, the one who tried to close the philosophical narrative by sublimating it into the Absolute Idea. He represents the moment in which the metaphysical tradition becomes self-aware, yet still operates within the old structures concepts, categories, the referential theory of truth. Heidegger, as Dugin notes, respects Hegel’s ambition and his attention to Heraclitus, but he sees in Hegel an ultimate failure: the failure to break free of metaphysics by still thinking Being in terms of the conceptual.

Nietzsche, then, is treated not as a radical outsider, but as the final insider. The will to power, the death of God, the transvaluation of values these are not new beginnings, in Heidegger’s view, but terminal intensifications. Nietzsche, says Dugin via Heidegger, is metaphysics distilled to its most nihilistic essence. I find this assessment particularly compelling: Nietzsche’s break with tradition is only apparent. His Superman and will to power are not liberations from metaphysics but its consummations. Dugin’s phrase “accomplished End” captures this neatly. Nietzsche is both the gravedigger and the last priest of metaphysical thinking.

Thus I think in Heidegger’s view, as interpreted by Dugin, Western philosophy unfolds as a tragic arc. From the Greek inception, through medieval distortion, to modern dissolution, it is a history of deontologization a progressive forgetting and loss of Being. This process is not accidental, not correctable, and certainly not morally condemnable. It is a fate—a destiny of the Abendland, the Land of Evening. Here Dugin makes one of his most philosophically resonant points: this is not an intellectual mistake but a geographical and ontological condition. The West had to forget Being. It was bound to.

But all is not despair. Dugin then takes us to Heidegger’s later thought the notion of another Beginning, the possibility of Ereignis. Now, this part of the text, while dense, is profoundly hopeful in a dark way. Ereignis, which is often mistranslated as simply “event,” is something far more radical in Heidegger: it is the event of appropriation, of Being giving itself. Dugin is careful to stress that this new Beginning is not a return to pre-Socratic wisdom but a step forward through the End, not away from it.

This “another Beginning” is structured through paradox. Being must be thought as including nothing, as both Being and non-Being. Heidegger challenges Parmenides here: non-being is, too. The whole of Western philosophy, then, becomes a history not of Being, but of its concealment. Yet that concealment, says Dugin via Heidegger, is also a form of unconcealment. It’s negative theology applied to ontology. We know Being not through its presence, but through the marks its absence leaves.

And then there is Geviert, the fourfold—sky and earth, mortals and gods—this poetic topology drawn from Hölderlin and reoriented by Heidegger. Dugin’s inclusion of this image is apt, because it signals the turn away from conceptual thinking toward poetic dwelling. This is the sort of ontological grammar that cannot be translated into logic or epistemology. It has to be inhabited, lived.

Dugin’s reading culminates in a powerful inversion: the very darkness into which Western thought has fallen becomes the place from which a new light might emerge. But not a light of clarity—rather, a “saving power” hidden within danger itself. The fall into nihilism is not a dead end but the abyss from which a new relation to Being might emerge. The way down is the way through.

In sum, Dugin does more than summarize Heidegger; he performs a kind of metaphysical liturgy. His interpretation is passionate, mythic, and unapologetically grand. While it may lack the cautious sobriety of analytic commentary, it more than compensates with philosophical intensity. Whether one agrees with Dugin’s appropriation of Heidegger or not, it is impossible to ignore the depth and drama he brings to this reading. He asks us not just to understand philosophy, but to see its death, and maybe, just maybe, its rebirth.

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Jonathan's avatar

The thing is even Heidegger still stood without what he would usher in. Ultimately all he had were more ideas of the Next. It did take a German to embody it, in the research of Goethe we already have a beginning experience of the identity of being and thought/'interiority' in his experience of the Urplanze, and his colour investigations. It took an Austrian, in R. Steiner, to make a science of this, and it should have taken some Anglos to make it mundane, industried, and commercial rather than only more individual, substantial, and articulated. But this has not been forthcoming, perhaps we will have to wait for the returning tide back to the european East, slavs, or Russians, who will manage to transmute their current tendancy to ritualize it. Transmute RS's work into a re-sacralized scientia... a profoundly human wisdom full of technique and practic.

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